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A Review of Ichiko Aoba’s ‘Luminescent Creatures’
blog

A Review of Ichiko Aoba’s ‘Luminescent Creatures’

William Beltramini
Billy Vicente’s Haunting Debut: ‘Take Me Back To Where I’m From So I Could Burn It To The Ground’
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Billy Vicente’s Haunting Debut: ‘Take Me Back To Where I’m From So I Could Burn It To The Ground’

Elizabeth Owens
Wafia Finds Refuge in Album Debut ‘Promised Land’: a Blend of Indie Pop and R&B
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Wafia Finds Refuge in Album Debut ‘Promised Land’: a Blend of Indie Pop and R&B

Julian
“ExtraL”: A Peek into JENNIE’s Solo Career
blog

“ExtraL”: A Peek into JENNIE’s Solo Career

Katelyn Villon
A “Peachy” Keen Night at SOMA San Diego
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A “Peachy” Keen Night at SOMA San Diego

Isabella Le
‘EUSEXUA’: FKA Twigs’ Boldest and Most Experimental Album Yet
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‘EUSEXUA’: FKA Twigs’ Boldest and Most Experimental Album Yet

Freya Greenwood
‘Cowards’: A New Sound for One of Modern Rock’s Most Exciting Acts
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‘Cowards’: A New Sound for One of Modern Rock’s Most Exciting Acts

William Beltramini
The Weeknd’s Final Chapter, ‘Hurry Up Tomorrow’: Tomorrow is Here
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The Weeknd’s Final Chapter, ‘Hurry Up Tomorrow’: Tomorrow is Here

Rohan Chopra
An Album Review of Mk.gee’s ‘Two Star and the Dream Police’
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An Album Review of Mk.gee’s ‘Two Star and the Dream Police’

Julian Aguilar
How Great is Central Cee’s ‘Can’t Rush Greatness’?
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How Great is Central Cee’s ‘Can’t Rush Greatness’?

Freya Greenwood
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